segunda-feira, 12 de maio de 2014
René Jules Lalique
Rene Lalique thistle
Ornement de corsage
Lalique Iris Bracele
ENAMEL, EMERALD AND
Art Deco  ENAMEL, EMERALD AND DIAMOND BROOCH, GATTLE, 1920S Of geometric form, set at the centre with an hexagonal emerald flanked with two shield-shaped diamonds and calibré-cut emeralds, further decorated with millegrain-set circular-cut stones and black enamel detail, to the pear-shaped diamond drop,
 ENAMEL, EMERALD AND DIAMOND BROOCH, GATTLE, 1920S Of geometric form, set at the centre with an hexagonal emerald flanked with two shield-shaped diamonds and calibré-cut emeralds, further decorated with millegrain-set circular-cut stones and black enamel detail, to the pear-shaped diamond drop,
DIAMOND BRACELET, CI
EMERALD AND DIAMOND
Art Deco  EMERALD AND DIAMOND BRACELET, CIRCA 1920 The articulated openwork band set with three step-cut emeralds decorated with millegrain-set stylised floral surrounds set with circular- and single-cut diamonds, further enhanced by geometric motifs set with similar and French-cut stones, mounted in platinum, numbered, French assay and maker's marks. length approximately 185mm,
 EMERALD AND DIAMOND BRACELET, CIRCA 1920 The articulated openwork band set with three step-cut emeralds decorated with millegrain-set stylised floral surrounds set with circular- and single-cut diamonds, further enhanced by geometric motifs set with similar and French-cut stones, mounted in platinum, numbered, French assay and maker's marks. length approximately 185mm,
CULTURED PEARL AND D
Art Deco  CULTURED PEARL AND DIAMOND FOB WATCH, VAN CLEEF & ARPELS, 1920S Designed as an articulated line of variously shaped diamonds, suspending a rectangular-shaped watch similarly set, with a pierced decoration of geometric design, the reverse inset with a square dial applied with Arabic numerals, to a cultured pearl winder, mounted in platinum,
 CULTURED PEARL AND DIAMOND FOB WATCH, VAN CLEEF & ARPELS, 1920S Designed as an articulated line of variously shaped diamonds, suspending a rectangular-shaped watch similarly set, with a pierced decoration of geometric design, the reverse inset with a square dial applied with Arabic numerals, to a cultured pearl winder, mounted in platinum,
DIAMOND BROOCH, CIRC
DIAMOND BRACELET, CI
Art Deco  DIAMOND BRACELET, CIRCA 1935 The articulated band designed as stylised loose ribbons, set to the centre with a circular-cut diamond in a collet-setting, within surrounds of pavé-set and collet-set circular- and single-cut stones and channel-set baguette and step-cut diamonds, mounted in platinum, French assay marks. length approximately 185mm,
 DIAMOND BRACELET, CIRCA 1935 The articulated band designed as stylised loose ribbons, set to the centre with a circular-cut diamond in a collet-setting, within surrounds of pavé-set and collet-set circular- and single-cut stones and channel-set baguette and step-cut diamonds, mounted in platinum, French assay marks. length approximately 185mm,
DIAMOND NECKLACE-BRA
SYNTHETIC SAPPHIRE A
DIAMOND LAPEL WATCH,
Art Deco  DIAMOND LAPEL WATCH, CIRCA 1925 The bar surmount of circular and baguette diamonds suspending a stylised articulated foliate garland of additional circular-cut stones, the watch concealed by an open work floral motif millegrain-set with circular- and single-cut stones, to the engraved scroll gallery,
 DIAMOND LAPEL WATCH, CIRCA 1925 The bar surmount of circular and baguette diamonds suspending a stylised articulated foliate garland of additional circular-cut stones, the watch concealed by an open work floral motif millegrain-set with circular- and single-cut stones, to the engraved scroll gallery,
RUBY AND DIAMOND BRA
Art Deco  RUBY AND DIAMOND BRACELET, 1920S Designed as a series of rectangular plaques, pierced and millegrain-set with circular-, rose-cut and cushion-shaped diamonds and three similarly shaped rubies, to an engraved gallery, mounted in platinum, French assay marks, one diamond deficient, rubies probably added later. length approximately 195mm,
 RUBY AND DIAMOND BRACELET, 1920S Designed as a series of rectangular plaques, pierced and millegrain-set with circular-, rose-cut and cushion-shaped diamonds and three similarly shaped rubies, to an engraved gallery, mounted in platinum, French assay marks, one diamond deficient, rubies probably added later. length approximately 195mm,
GEM-SET, CARVED ROCK
Art Deco  GEM-SET, CARVED ROCK CRYSTAL AND DIAMOND PIN, 1930S Of naturalistic inspiration, composed of stylised floral motifs set with circular-cut rubies and cabochon sapphire centres, within single- and circular-cut diamond surrounds, highlighted with two carved emerald leaves and a carved sapphire depicting a bird, to the rock crystal and black enamel detail, mounted in platinum,
 GEM-SET, CARVED ROCK CRYSTAL AND DIAMOND PIN, 1930S Of naturalistic inspiration, composed of stylised floral motifs set with circular-cut rubies and cabochon sapphire centres, within single- and circular-cut diamond surrounds, highlighted with two carved emerald leaves and a carved sapphire depicting a bird, to the rock crystal and black enamel detail, mounted in platinum,
BLACK ONYX AND DIAMO
Maybe next year....
Cartier late 1980s.
Art Deco diamond and
Art Deco Diamond and
Early twentieth cent
IMPORTANT DIAMOND NE
Art Deco  IMPORTANT DIAMOND NECKLACE/TIARA, CARTIER, CIRCA 1915. Designed as a graduated series of collet-set circular-cut diamonds between baguette stones, suspending a similarly set articulated fringe, to a navette-shaped diamond clasp, length approximately 350mm, signed Cartier Paris Londres, French assay marks and numbered, accompanied by a tiara frame.
 IMPORTANT DIAMOND NECKLACE/TIARA, CARTIER, CIRCA 1915. Designed as a graduated series of collet-set circular-cut diamonds between baguette stones, suspending a similarly set articulated fringe, to a navette-shaped diamond clasp, length approximately 350mm, signed Cartier Paris Londres, French assay marks and numbered, accompanied by a tiara frame.
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